The Collapsar publishes new poetry, fiction, and nonfiction every other month, and new culture writing weekly.
Who is this now
who calls in
my chapel (sight bridled
to prayer) of
the little Rothko
a man’s hand mechanized. My ocularist
prised my lid
open, filling
the hollow of me
with a jewelry that will not betray me
like my own anatomy:
glass stained with Windsor Newton
oil paints, the opalescent sclera
threaded with red silk for veins.
My little portrait erasing
erasure, my only
death mask, little subjective, my
pillow talk, this eye
has been known to make men
confessional—
our bodies’ private hymns
that need disclosure—
But I will not mechanize this
intimacy—I will bloom
like lovers are supposed to,
the soft coral behind my eyelid exposed.
Nudity is a gift
until it is not—
the surgical theater receives
from the diseased or wounded
any meaning written on the body
folded open, splayed
before it’s mended into privacy—
Corona of the hazel
sun eclipsed:
a coin’s entry
to forgetfulness
or a stone to close the tomb.
Amy Sailer’s poetry has appeared or is forthcoming in Quarterly West, Meridian, Burnside Review, and Broad Street Magazine. She currently serves as co-coordinator of the Poets in Print reading series in Kalamazoo, Michigan.